Though many who haven't read it assume that his unfinished masterpiece is an economic treatise, Marx himself regarded it as a work of art, breaking through the narrow conventions of political economy with a radical literary collage that juxtaposes voices and quotations from literature and mythology, from factory inspectors' reports and fairy tales. Das Kapital probably has as many allusions to Shakespeare as to Adam Smith. It mixes satire, melodrama, Gothic horror and reportage to do justice to the irresistible, yet mysterious, force that governs our material motives and interests.
To read Wheen’s case for Das Kapital in full, click here.
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