If so, what are they doing to him? Nothing very terrible, finally—at least not in any absolute sense. They have trapped Blue into doing nothing, into being so inactive as to reduce his life to almost no life at all. Yes, says Blue to himself, that’s what it feels like: nothing at all. He feels like a man who has been condemned to sit in a room and go on reading a book for the rest of his life. This is strange enough—to be only half alive at best, seeing the world only through words, living only through the lives of others. But if the book were an interesting one, perhaps it wouldn’t be so bad. He could get caught up in the story, so to speak, and little by little begin to forget himself. But this book offers him nothing. There is no story, no plot, no action—nothing but a man sitting alone in a room and writing a book. That’s all there is, Blue realizes, and he no longer wants any part of it. But how to get out? How to get out of the room that is the book that will go on being written for as long as he stays in the room?
From Paul Auster, Ghosts (volume two in The New York Trilogy).
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