For a long time before I start to write a novel, anywhere from one year to two, I make it up. This is the happiest time I have with my books. The novel in my imagination travels with me like a small lavender moth making loopy circles around my head. It is a truly gorgeous thing, its unpredictable flight patterns, the amethyst light on its wings. I think of my characters as I wander through the grocery store. I write out their names like a teenage girl dreaming of marriage.
In these early pre-text days my story has more promise, more beauty, than I have ever seen in any novel ever written, because, sadly, this novel is not written. Then the time comes when I have to begin to translate ideas into words, a process akin to reaching into the air, grabbing my little friend (crushing its wings slightly in my thick hand), holding it down on a cork board and running it though with a pin. It is there that the lovely thing in my head dies.
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This is fascinating. Sometimes a dream realized is not as pleasant as the original dream, as the small lavendar moth.
ReplyDeleteI loved this quote - because this is exactly what writing is like. The book in your head bears only a very pale resemblance to the book that gets written! Kathleen
ReplyDeleteI love the quote too. In some ways it holds absolutely true how can mere words capture the vividness of imagination.
ReplyDeleteHowever, I have also experienced the opposite, when nascent ideas take shape as I form them into words on the page. A deeply satisfying experience.
A bit sad, really, that the planning is always better than the real book, but I certainly understand what she is talking about.
ReplyDeleteWhat interesting about this description is that she seems to think that the act of writing murders something beautiful -- that's never occurred to me. But it's certainly true that the unwritten is lovely. This reminds me of Emily Dickinson's "I dwell in Possibility--/A fairer House than Prose--/More numerous of Windows--/Superior--for Doors--"
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